"Hey little freak with the lunch pail purse/Underneath the paint you're just a little girl" --Tom Petty and the Hearbreakers, "Zombie Zoo"

I cleaned my bookshelf today. It was a general reorganization, dusting, and reevaluation of the books I wanted to keep and those I could muster the strength to part with.

Name a point in my life. A momentous occasion of considerable import, or a random Tuesday in 1998. I can probably tell you what book I was reading. I associate times in my life with what I was reading during that time. I held A Tree Grows in Brooklyn a little longer than the rest of the books as I dusted, remembering the ten consecutive years I have read and re-read it. I passed off Fear of Falling as quickly as possible, because it was the book I was reading when attacked on a bus in 2008. When I had finally worked my way down to the most neglected and chaotic mess, the bottom shelf of old theatre books and scripts, I found a book so special that I felt compelled to share it.


This is a notebook I bought in Broad Ripple (an area on the north side of Indianapolis, that used to be cool and funky). It was from a store that smelled strongly of Patchouli, and they sold long, flowy skirts, candles, and things made out of recycled items. I bought this notebook there to hold my acting notes; things I learned in Saturday morning classes, things directors said that struck me, and quotes from acting teachers and actors I read.


Relatively few pages are filled. But, looking back, I think that was because most of what I learned doing theatre was not in the form of a bulleted point or quick note to jot down. It was more than that. However, coming across this notebook today, turning its crispy, delicate pages, I began remembering the passion, love, and joy that theatre gave me. The alacrity with which I approached it.
A list of "dream roles." I played one, Anne Frank, in 2002.


My loopy handwriting and address, in case I ever left it in some coffeeshop after finishing my Mocha, my drink of choice in my early teens before real coffee sounded appealing.


When I first moved to Chicago at 18, I remember mourning the loss of the theatre community, the creative outlet, and so many other things about it. It had been my life. I wondered if I'd ever feel that way about anything again.

Today was the first time that I've encountered one of these nostalgic moments and was able to think, Yes, I do love something as much as I loved this. And that made me feel content and excited.